CQ Article Gallery
CQ Article Gallery offers samples from our print journal on a wide variety of movement ideas and subjects.
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Throwing the Bouquet: Part One
by Nancy Stark Smith |
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An Image That's Alive
Conversation on the image worlds of Skinner Releasing Technique & Amerta Movement with Sally E. Dean, Margit Galanter, Lily Kiara, and Julie Nathanielsz |
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Moving and Thinking with Fascia
Interview with Ray Chung on the intersection of fascia and Contact Improvisation training by Kevin O'Connor |
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Queer Contact Improvisation (QCI): Alliance and Disruption
Experiences and reflections from the QCI Symposium by Aramo Olaya and Wiktor Skrzypczak |
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Differences
Creating a Cultural Shift toward Embedded Access and Artistry plus: an excerpt from The Way You Look (at me) Tonight Accessibility Handbook by Claire Cunningham, Jess Curtis, and Luke Pell |
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Contact Improvisation Intersections
A Question from CQ, and a Round of Responses by Nancy Stark Smith, Keith Hennessy, Ann Cooper Albright, Geneviève Cron-Riger, Daniela Schwartz, Kent Alexander, Zach Arfa, Taja Will, Kathleen Rea, and mayfield brooks |
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Sara Shelton Mann: In the Presence of Action
writings orchestrated by Anya Cloud, Karen Schaffman, and Sara Shelton Mann |
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Michelle Ellsworth: Performance Engineer
essay, interview, and performance texts by Nancy Wozny, Michelle Ellsworth, and Joanna Rotkin |
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Mind-Fucking and Other Uncertainties
a dialogue between (philosopher) Romain Bigé & (dance improviser) Charlie Morrissey (and conversely) |
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CONJURING THE SPIRIT with Merián Soto and Pedro Alejandro
Todos Mis Muertos (All My Dead Ones)(1996) by Merián Soto OUT-FIT: Merián Soto’s decadent defiance in "Todos Mis Muertos" by Merián Soto and Pedro Alejandro |
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Catching the Fall
An interview with Sharon Fridman on Contact Improvisation & Choreography by Romain Bigé |
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IWB = IMPROVISING WHILE BLACK
writings, INterventions, interruptions, questions by mayfield brooks with interview by Karen Nelson |
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Unsettling Assumptions
The trans-queer formalism of devynnemory/beastproductions by devynn emory with Liza Coviello |
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Why Standing?
Steve Paxton talks about how the Stand relates to stage fright and entrainment in Contact Improvisation edited by Karen Nelson |
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Post/Contact
Seven class descriptions proposing ongoing experiments in dancing and performing under the influence of Contact Improvisation by Keith Hennessy |
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WHAMMO (ZOOM IN)
by Susan Rethorst |
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Contact Improvisation: A Question
by Daniel Lepkoff |
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About Performance and the Making of Improvised Pieces
A Further Conversation with Julyen Hamilton [Excerpt] Interview with Nancy Stark Smith, Part 2. |